Bob Seger
&
The Silver Bullet Band
Live @ the Dow Event Center
Bob Seger is
a true American Icon. At 69 years of age he is showing no signs of fading into
the goodnight of his career. It’s been a long road since those halcyon days in
the mid to late sixties when Seger was punching out those funky rock & roll
anthems like East Side Story, Heavy Music, 2+2=, Ramblin’ Gamblin’ Man and
Lucifer. I was able to hear Seger in his youthful fury at Daniels Den, laying
out all his early hits with a few covers like Hey Jude (Beatles) and Holiday
(Bee Gees). I was there when Seger opened for the Kinks @ the Eastown Theatre,
a few years later he was rockin’ the dance floor at the Brewery in East
Lansing. In my mind’s eye it was those early hits that cooked-up that witches
brew that later percolated into the more introspective side of Seger’s catalog.
On this night Seger eschewed any mention of his younger self as he performed
the nucleus of his hit making era with Capitol Records. I couldn’t argue with
Silver Bullet Seger’s song selection, it all turned to gold.
I admit it
was quite difficult for me to rock & roll on a weeknight. I was struggling
to get comfortable and get my groove on, even took off my shoes and stretched
out my toes… and this was during the opening act, a Nashville based group who
covered Tom Petty (Don’t Back Down) and Led Zeppelin (Rock & Roll). The
lead singer was a beautiful woman who could jump and shout and work it on out,
sexified and sincere, the Nashville way.
He opened
with Roll Me Away followed in quick succession with the soulful Tryin’ to Live
My Life Without You Babe and the rockin’ Fire Down Below, the country
influenced Devil’s Right Hand and the spectacular Mainstreet, an ode to the
street life of Ann Arbor. Seger did not play an instrument on this show
allowing a focus on his singing and pumping up the crowd. His enthusiasm was
contagious. It was clear that the close to sellout crowd adored Seger, the
folks on the main floor remained standing throughout the show and they did
their best version of sing-a-long with Mitch, remembering every lyric in every
song. In this day and age people are more and more a part of the show. It is
both annoying and heartfelt. These nattering nabobs are at one with the rock
& roll godhead, in essence they become Seger’s image, never stepping on his
shadow. Seger was relentless, dusting off one hit after another. Old Time Rock
& Roll (a reconfigured Heavy Music which was the bastard sister of Ramblin’
Gamblin’ Man) segued to the funked up Come to Poppa and the sensuous Her Strut.
The Band was incredible, Donny Brewer of Grand Funk was on drums, a 5-piece
horn section provided the funk and the pianist was economical yet could rip off
triplets as well as powerful Max Middleton syncopation. Three lovely women did
the mighty percussion effects and sang harmonies. The band was Smoking O.P.’S! Travelin Man, Beautiful Loser was followed by
incredible renditions of Detroit Made (a great new song!), Turn the Page and my
favorite Katmandu. This show was not an oldies act, five new songs from the
Ride Out LP were introduced and they fit seemlessly into the setlist. Seger was
on fire and his voice was sturdy. He doesn’t have the power he once possessed
but he can sing in the pocket with that instantly recognizable Seger grit. There were two encores the first included
Against the Wind and Hollywood Night. The second encore brought it all home
with the incredibly nuanced Night Moves and Seger’s anthem to our fading youth
Rock & Roll Never Forgets. The show was a triumph from start to finish,
well-conceived and executed.
I often
wondered why Seger picked Saginaw to open several of his tours. I recall seeing
Seger at Daniel’s Den in 1968 talking to Frank Patrick, one of the owners and
they seemed to have a good rapport Years later I talked with Bob Parsons,
another owner of Daniels Den (along with Alan Schmid) who had a nodding
friendship with Seger as they both lived in the same town in northern Michigan
and would sometimes see each other at a local restaurant or watering hole.
Perhaps it’s true, rock and roll never forgets.
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